Aristotle on the Art of Poetry (330 BC) Informative Summary


Aristotle’s Poetics stands as a seminal work in literary criticism, offering a systematic analysis of various forms of poetry, primarily focusing on tragedy and epic. Written likely around 330 BC, the text explores the nature of imitation in art, the essential components of a well-constructed plot, and the elements that contribute to a powerful tragic experience.

Aristotle emphasizes the importance of unity in plot, where every incident contributes to a cohesive whole. He delves into the complexities of character development, advocating for the portrayal of morally sound individuals who remain consistent throughout the narrative. The text further examines the nuances of diction and thought, advocating for clarity while embracing the poetic use of metaphors and other literary devices. Through a series of detailed analyses and comparisons between different poetic forms and playwrights, Poetics illuminates the fundamental principles that underpin successful dramatic and epic storytelling.

Key Findings:

  • Imitation as Art’s Foundation: Aristotle posits that all art forms, including poetry, are essentially modes of imitation. They differ based on the means, objects, and manner of imitation.
  • Primacy of Plot: In tragedy, the plot, or the arrangement of incidents, takes precedence over character and other elements. A well-constructed plot possesses a clear beginning, middle, and end, with events unfolding in a probable or necessary sequence.
  • The Tragic Hero: The ideal tragic hero is neither entirely virtuous nor wholly wicked, but a figure of high standing whose downfall stems from a significant error in judgment. Their misfortune evokes both pity and fear in the audience.
  • Catharsis through Pity and Fear: Tragedy aims to arouse feelings of pity and fear in the audience, ultimately leading to a catharsis, a purification or purging of these emotions.
  • Unity in Epic Poetry: Similar to tragedy, epic poetry should also exhibit unity of action, focusing on a single, complete story with a clear beginning, middle, and end.


  • The nature of imitation in art: The reader will learn about Aristotle’s theory of mimesis, or imitation, as a fundamental principle of art. He argues that art imitates not merely appearances but the underlying realities and possibilities of life, offering insights into human nature and action.
  • The elements of a successful tragic plot: The reader will gain an understanding of the key components of a compelling tragedy, including a complex plot with peripeteia (reversal of fortune) and anagnorisis (discovery), characters who are good, appropriate, and consistent, and the use of thought and diction to evoke pity, fear, and other emotions.
  • The difference between epic poetry and tragedy: The text provides a detailed comparison of these two significant forms of poetry, highlighting their similarities in terms of plot construction and thematic concerns while also pointing out their distinct characteristics in terms of length, meter, and the use of spectacle and music.
  • The importance of language and style in poetry: Aristotle emphasizes the poet’s skill in using language to create a desired effect. He explores the use of metaphors, strange words, and other poetic devices to achieve clarity and a non-prosaic quality.
  • Aristotle’s method of literary criticism: Readers will be exposed to Aristotle’s analytical and systematic approach to literary criticism, which involves carefully examining a work’s structure, techniques, and overall effect on the audience.

Historical Context:

Aristotle wrote Poetics during a period when the golden age of Greek tragedy had passed. The once vibrant traditions of the Athenian stage, with playwrights like Aeschylus, Sophocles, and Euripides, had given way to the rise of New Comedy, a form characterized by lighter themes and invented plots. Aristotle’s analysis reflects both a deep understanding of the historical development of tragic drama and an awareness of the evolving theatrical landscape of his time.


  1. Imitation is Natural to Humans: Aristotle believes that imitation is an inherent human trait, evident from childhood, and serves as a foundation for learning. This natural inclination toward imitation gives rise to poetry.
  2. Poetry Divided by Character: Aristotle asserts that poetry diverged into two primary branches based on the poets’ inclinations: graver poets focused on noble actions, while meaner poets depicted the actions of the ignoble, often through invectives.
  3. Homer’s Significance: Aristotle recognizes Homer as a pivotal figure in poetry, excelling not only in epic poetry but also in laying the groundwork for comedy with his work, Margites.
  4. Tragedy’s Evolution: Aristotle outlines the gradual development of tragedy, starting with improvisations and eventually incorporating key elements like masks, prologues, and multiple actors.
  5. The Essence of Comedy: Aristotle defines comedy as the imitation of characters worse than the average, specifically focusing on the “Ridiculous,” a form of ugliness that provokes laughter without causing pain or harm.
  6. Six Parts of Tragedy: According to Aristotle, tragedy consists of six essential parts: plot, character, diction, thought, spectacle, and melody.
  7. Plot’s Paramount Importance: Aristotle stresses that the plot, the combination of incidents in a story, is the most crucial element of tragedy, even more important than character.
  8. Three Plots to Avoid: Aristotle advises against plots that depict a good person transitioning from happiness to misery, a bad person moving from misery to happiness, or an extremely wicked person experiencing a fall from grace.
  9. The Ideal Tragic Plot: Aristotle argues that the perfect plot involves a character, not perfectly virtuous, whose downfall results from a significant error in judgment, leading them from happiness to misery.
  10. Peripety as a Turning Point: Aristotle defines “peripety” as a shift within the play from one state of affairs to its opposite, occurring in a probable or necessary sequence of events.
  11. Discovery as Revelation: “Discovery” in tragedy refers to a change from ignorance to knowledge, often leading to a shift in relationships and emotions (love or hate) among characters.
  12. Episodic Plots as Inferior: Aristotle deems episodic plots, those lacking probability or necessity in the sequence of events, as the least desirable form of plot construction.
  13. The Power of Unexpected Incidents: Tragedy’s impact is heightened when fear and pity are aroused by incidents that occur unexpectedly yet are causally linked, as they possess a sense of the marvelous.
  14. Visualizing the Scenes: Aristotle encourages poets to vividly imagine the scenes they are creating, ensuring appropriateness and minimizing incongruities in their descriptions.
  15. Embracing Emotion: Aristotle believes that poets who genuinely feel the emotions they depict will create more convincing and impactful work.
  16. Universality in Plot: Aristotle advises poets to first simplify their stories into a universal form, then expand them with episodes or accessory incidents that maintain thematic relevance.
  17. Complication and Denouement: Aristotle divides tragedy into two phases: “complication” encompasses the events leading up to a change in the hero’s fortune, while “denouement” includes everything from that turning point to the end.
  18. Four Species of Tragedy: Aristotle categorizes tragedy into four types: complex (peripety and discovery), suffering, character, and spectacle.
  19. The Role of the Chorus: Aristotle emphasizes that the chorus should be an integral part of the play, actively participating in the action, rather than merely providing musical interludes.
  20. Homer’s Skill in Deception: Aristotle praises Homer’s masterful use of “paralogism,” a form of logical fallacy, to craft convincing narratives, highlighting the poet’s ability to create a sense of wonder and pleasure.


The text does not contain any numerical statistics. It focuses on qualitative analysis of literary elements and principles.


  1. Mimesis: Imitation, the representation of reality in art.
  2. Plot (Mythos): The arrangement of incidents in a story, crucial for a successful tragedy.
  3. Character (Ethos): The moral qualities and motivations of the characters.
  4. Diction (Lexis): The poet’s choice of words and use of language.
  5. Thought (Dianoia): The ideas and reasoning expressed by characters.
  6. Spectacle (Opsis): The visual elements of the performance.
  7. Melody (Melos): The musical component of the play.
  8. Peripeteia: A sudden reversal of fortune or change in circumstances.
  9. Anagnorisis: A discovery or recognition that leads to a change in understanding.
  10. Catharsis: Purification or purgation of emotions, particularly pity and fear.


  1. Homer’s Odyssey: Aristotle cites the Odyssey as an example of a complex plot with elements of discovery and a focus on character.
  2. Sophocles’ Oedipus Rex: Aristotle repeatedly references Oedipus Rex as a model tragedy, praising its effective use of peripeteia, anagnorisis, and a plot that evokes both pity and fear.
  3. Euripides’ Use of Unhappy Endings: Aristotle defends Euripides’ tendency to employ unhappy endings in his tragedies, arguing that such conclusions are more likely to evoke a genuinely tragic response.
  4. The Pursuit of Hector in the Iliad: Aristotle examines the scene of Hector’s pursuit in the Iliad to illustrate how a seemingly improbable event can be made convincing and even pleasurable in epic poetry.
  5. The “Bath Story” in the Odyssey: Aristotle uses the “Bath Story” in the Odyssey to demonstrate Homer’s adept use of paralogism, a form of logical fallacy that enhances the narrative’s effectiveness.
  6. Aeschylus’ and Euripides’ Use of Language: Aristotle compares lines from Aeschylus’ and Euripides’ plays to highlight how the substitution of a single word, from ordinary to strange or metaphorical, can dramatically elevate the diction and impact of a verse.
  7. Zeuxis’ Paintings: Aristotle references the painter Zeuxis, known for his technical skill but criticized for lacking character depth in his works, to illustrate the importance of character development in art.
  8. The Statue of Mitys: Aristotle recounts the anecdote of the statue of Mitys accidentally killing the person responsible for Mitys’ death to exemplify the concept of the marvelous, where even chance occurrences can seem to possess a sense of design.
  9. The Use of Masks in Comedy: Aristotle points to the use of masks in comedy as a visual representation of the “Ridiculous,” a form of ugliness that provokes laughter without inflicting pain.
  10. The Differences between History and Poetry: Aristotle distinguishes history, which deals with singular events, from poetry, which focuses on universal truths about human nature and action.


Aristotle’s Poetics provides a comprehensive and enduring analysis of Greek poetry. It emphasizes the significance of unity, structure, and the skillful use of language in crafting compelling narratives. While the text primarily concentrates on tragedy and epic poetry, the principles and insights articulated by Aristotle have had a profound and lasting impact on literary criticism and the understanding of art’s ability to imitate, evoke emotions, and provide a cathartic experience. Through his meticulous exploration of poetry’s elements, forms, and effects, Aristotle established a framework for evaluating and appreciating the power of literature that continues to resonate with readers and critics today.

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